{"id":8421,"date":"2014-03-18T19:07:35","date_gmt":"2014-03-18T19:07:35","guid":{"rendered":"http:\/\/162.243.6.39\/?p=8421"},"modified":"2023-12-15T11:42:09","modified_gmt":"2023-12-15T14:42:09","slug":"dal-pian-architects-wins-competition-for-cultural-center-for-events-and-exhibitions-in-paraty","status":"publish","type":"post","link":"https:\/\/dalpian.arq.br\/index.php\/dal-pian-architects-wins-competition-for-cultural-center-for-events-and-exhibitions-in-paraty\/","title":{"rendered":"Dal Pian Architects wins competition for the new Cultural Center for Events and Exhibitions in Paraty-RJ"},"content":{"rendered":"
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[18\/03\/2014]<\/h6>\n

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Dal Pian Architects<\/em><\/strong> project for the Cultural Center for Events and Exhibitions in Paraty<\/em><\/strong> won first place in the competition.<\/p>\n

Conceived as a large Box of Events<\/strong><\/em>, surrounded by transparent closure and environmentally protected by large eaves and muxarabis, which reflect the tradition present in Brazilian colonial architecture.<\/p>\n

Permeable to the visual perspectives, both internal and external, the Cultural Center presents itself as a friendly and extroverted building that, valuing the landscape and the integration with the surroundings, opens itself generously to the city.<\/p>\n

This conformation intends to stimulate the encounter and the coexistence as a way of promoting and instigating the most diverse possibilities, of cultural and artistic manifestations.<\/p>\n

Implanted in the center of the flat and almost square ground, spatially configures<\/strong> four external areas<\/strong> with definite uses: two squares, a deck and the parking.<\/strong><\/p>\n

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[18\/03\/2014]   Dal Pian Architects project for the Cultural Center for Events and Exhibitions in Paraty won first place in the competition. Conceived as a large Box of Events, surrounded by transparent closure and environmentally protected by large eaves and muxarabis, which reflect the tradition present in Brazilian colonial architecture. Permeable to the visual perspectives, […]<\/p>\n","protected":false},"author":1,"featured_media":9487,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[144,146],"tags":[],"_links":{"self":[{"href":"https:\/\/dalpian.arq.br\/index.php\/wp-json\/wp\/v2\/posts\/8421"}],"collection":[{"href":"https:\/\/dalpian.arq.br\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dalpian.arq.br\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dalpian.arq.br\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dalpian.arq.br\/index.php\/wp-json\/wp\/v2\/comments?post=8421"}],"version-history":[{"count":12,"href":"https:\/\/dalpian.arq.br\/index.php\/wp-json\/wp\/v2\/posts\/8421\/revisions"}],"predecessor-version":[{"id":12071,"href":"https:\/\/dalpian.arq.br\/index.php\/wp-json\/wp\/v2\/posts\/8421\/revisions\/12071"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dalpian.arq.br\/index.php\/wp-json\/wp\/v2\/media\/9487"}],"wp:attachment":[{"href":"https:\/\/dalpian.arq.br\/index.php\/wp-json\/wp\/v2\/media?parent=8421"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dalpian.arq.br\/index.php\/wp-json\/wp\/v2\/categories?post=8421"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dalpian.arq.br\/index.php\/wp-json\/wp\/v2\/tags?post=8421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}